About Us

The Redheads:
Talent Times Two

By PHIL SWEETLAND
Music and Radio contributor, New York Times

NASHVILLE – Florida natives Britta and Brooke Dodgen may well be
the most promising female duo in Country since the Judds, but a
skittish horse nearly kept them from ever reaching Nashville at all.

Indirectly Tiara, the horse, led the Redheads straight to Country Radio
and Country music.

Britta and Brooke are now 20 and 17, respectively, but six years ago a
terrible fall off of Tiara forced little Brooke to go through a long period
of rehab which put her early loves for riding and ballet both in serious
jeopardy.

“I was really depressed,” says Brooke, whose mother soon noticed
the changes in her normally upbeat, outgoing younger daughter.

But then Brooke discovered Country Radio and Country Music
Television.

“That’s when Brooke started smiling again,” Mrs. Dodgen says.

Something about the stories in the songs, along with the simple
power of the music by artists like Reba McEntire and Trisha
Yearwood, literally helped the kid back up on her feet.

“Country music,” Brooke says, “showed me that everyone has
problems, but that you just have to hold on and get through them the
best you can.”

One particular Reba single – “I’m Gonna Take That Mountain” –
became the girls’ theme song during Brooke’s recovery.

“It’s one of those songs,” Britta says during a conversation in
Nashville, “that will stay with us the rest of our lives. When we met the
songwriter Jerry Salley (who co-wrote that 2003 Reba hit with Melissa
Peirce), we just broke out in tears.”

Long before the injury, both sisters had already demonstrated
immense talent in music. Britta started out singing opera – not the
Grand Ole Opry type, the Schermerhorn Center type – and dancing
ballet all over the USA and even in Scotland. Brooke likewise danced
with some of the world’s most prestigious ballet companies.

But the very same drive that enabled these overachieving and
beautiful girls to climb to the top levels of the equestrian and dance
world is now focused on writing and performing Country music.

Songs like “Light A Candle,” a message ballad (“I light a candle/for all
the children of the world”) show a Radio-friendly and family-friendly
sense, plus a great talent for duet arrangement and harmony. The
girls alternate on the verses, and each voice has great character. They
also share the gift of family harmony that Southern Country,
Bluegrass, and Gospel groups have treasured for generations.

“Waves Of Emotion” is a bluesy tempo tune with the vocals playing
on top of electric guitar and thumping percussion; “Boys Will Be
Boys” has wonderful shades of the Judds, but with a unique
Redheads edginess to it; while “I Don’t Wanna Fall” explores the
minor keys and anger which so often come in music from artists of
the Dodgens’ age, but except for Taylor Swift few Country artists have
had the courage to sing it.

And last time we checked, Taylor’s album had been No. 1 for over four
months. One of the beauties of Swift’s work is that she has the visual
appeal and the Gen-Y credentials to attract teens and tweens to the
Country format; the Redheads do likewise, and they have the added
dynamic of having two striking young ladies on stage, playing Martin
guitars and singing.

Funny thing is, though, that the artist who the Redheads seem to
admire the most is one who was born in 1935, over 50 years before
either of them. It’s Loretta Lynn, who was groundbreaking in the early
1960s in her “Coal Miner’s Daughter” period, then shook up Music
Row in the 1970s with “One’s On The Way” and “Rated X,” and
remains brilliant and unpredictable today.

And oh by the way, Loretta’s daughters, the identical twins Patsy and
Peggy, scored some of Country Radio’s last hits by a female duo
called The Lynns, with “Nights Like These” and “Woman To Woman”
in 1997.

So Nashville remains a very small world, when it comes to extremely
talented and attractive stars like the Redheads.

-30-

Revised April 21, 2008

The Redheads
Britta -N- Brooke
A Country Music Duo...